Issue 4: Touch Natalie Czech (2020) A poet’s question by Frank O’Hara Alice Attie (2022) Sous Rature Touch Editors Introduction by Gill Partington & Adam Smyth Alice Attie (2022) Class Notes Robert Rauschenberg & John Cage (1953) Automobile Tire Print Marking Readers: Pain, Pleasure, and the Nineteenth Century Tactile Book by Taylor Hare & John Gulledge Robert Rauschenberg & John Cage (1953) Automobile Tire Print Make by Ben Miller Robert Rauschenberg & John Cage (1953) Automobile Tire Print ‘The Divell’s Hand’: Touching Special Collections by Matthew Shaw Robert Rauschenberg & John Cage (1953) Automobile Tire Print All Fingers and Thumbs: Reading/Handling/Editing Nabokov’s ‘Pale Fire’ by Gill Partington Robert Rauschenberg & John Cage (1953) Automobile Tire Print Jen Bervin & Debora Mayer (2023) Measuring the Sun – Robert Rauschenberg & John Cage (1953) Automobile Tire Print The Felt Dimension: The Haptic Intuition of Hansjörg Mayer by Bronac Ferran Robert Rauschenberg & John Cage (1953) Automobile Tire Print Sequences of Touch: Dried Flowers; Linen Rags; Rotten Potatoes; Wool Roving by Sheryda Warrener, Claire Battershill, Amy E. Elkins, and Jayme Collins Robert Rauschenberg & John Cage (1953) Automobile Tire Print Taction by Vona Groarke Robert Rauschenberg & John Cage (1953) Automobile Tire Print A Play Between Illusion and Awareness of Illusion by the Editors, Simon Morris, Gill Partington, & Adam Smyth Robert Rauschenberg & John Cage (1953) Automobile Tire Print Letter as Monument: The Architectual Majuscule, the Inscriptional Page, and the Rise of Roman Type by Katy Nelson Robert Rauschenberg & John Cage (1953) Automobile Tire Print Editions Biographies The Grid by Fraser Muggeridge studio Robert Rauschenberg & John Cage (1953) Automobile Tire Print Alice Attie (2022) Sous Rature Natalie Czech (2020) A poet’s statement by Ariana Reines Share this:TwitterFacebookLike this:Like Loading...
Marking Readers: Pain, Pleasure, and the Nineteenth Century Tactile Book by Taylor Hare & John Gulledge
Sequences of Touch: Dried Flowers; Linen Rags; Rotten Potatoes; Wool Roving by Sheryda Warrener, Claire Battershill, Amy E. Elkins, and Jayme Collins
A Play Between Illusion and Awareness of Illusion by the Editors, Simon Morris, Gill Partington, & Adam Smyth
Letter as Monument: The Architectual Majuscule, the Inscriptional Page, and the Rise of Roman Type by Katy Nelson
