Robert Rauschenberg & John Cage (1953) Automobile Tire Print Posts navigation PreviousLetter as Monument: The Architectual Majuscule, the Inscriptional Page, and the Rise of Roman Type by Katy NelsonNextA Play Between Illusion and Awareness of Illusion by the Editors, Simon Morris, Gill Partington, & Adam Smyth inscriptionthejournal Share this: Share on X (Opens in new window) X Share on Facebook (Opens in new window) Facebook Like this:Like Loading...
